Documentary Films on Bangladesh - Part 5

Documentary Films on Bangladesh – Part 5

Documentary Films on Bangladesh by non-Bangladeshi Film Makers

A list of documentary films on Bangladesh was published in Part 1, Part 2, Part 3, and Part 4. This is the fifth installment. All documentaries in this list were made by non-Bangladeshi directors, producers, and production companies. It is not a review or not a critique of the documentaries – a mere list. This list is incomplete, so we will write on them as they come to our attention. The list here is in random order.

This group of documentary films is not entirely on Bangladesh. In a single documentary, Bangladesh was mentioned in a documentary as part of the issue presented. Bangladesh was presented in one of the episodes of a series of documentaries.

The Human Scale

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Director: Andreas Dalsgaard
2012 • 83 Min • Denmark

Half of the human population lives in urban areas. By 2050, this will increase to 80%. Life in a megacity is both enchanting and problematic. Today, we face peak oil, climate change, loneliness, and severe health issues due to our way of life. But why? The Danish architect and professor Jan Gehl has studied human behavior in cities for four decades. He has documented how modern cities repel human interaction and argues that we can build cities in a way that considers human needs for inclusion and intimacy. ‘The Human Scale‘ meets thinkers, architects, and urban planners across the globe. It questions our assumptions about modernity, exploring what happens when we put people at the center of our planning.

Poverty, Inc.

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Director: Michael Matheson Miller
2014 • 94 Min • USA

The West has positioned itself as the protagonist of the development narrative. However, the results have been mixed, sometimes even catastrophic, and developing world leaders have become increasingly vocal in calling for change. Drawing on perspectives gathered from over 150 interviews shot over four years in 20 countries, Poverty, Inc. explores the hidden side of doing good. From disaster relief to TOMs Shoes, from adoptions to agricultural subsidies, Poverty, Inc. follows the butterfly effect of our most well-intentioned efforts and pulls back the curtain on the poverty industrial complex – the multi-billion dollar market of NGOs, multilateral agencies, and for-profit aid contractors. Are we catalyzing development or propagating a system where the poor stay poor while the rich get hipper?

Plan B

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Director: Hal Weiner
2010 • 84 Min • USA

Narrated by Matt Damon, Plan B is a 90-minute documentary based on the book by environmental visionary Lester Brown. Shot on location around the world, the film’s message is clear and unflinching — either confront the realities of climate change or suffer the consequences of lost civilizations and failed states. Ultimately, Plan B provides audiences with a glimpse into a new and emerging economy based on renewable resources and strategies to avoid the growing threat of global warming. Appearing with Lester Brown are Nobel Laureate Paul Krugman, Pulitzer Prize winner Tom Friedman, former Governor and Secretary of the Interior Bruce Babbitt, along with other scholars and scientists. Locations include China, Japan, South Korea, India, Italy, Turkey, Bangladesh, Zambia, Haiti, and the U.S.

Whores’ Glory

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Director: Michael Glawogger
2011 • 110 Min • Germany & Austria

Whores’ Glory is an examination of the lives, needs, troubles, and hopes of prostitutes in  Bangkok (Thailand), Faridpur (Bangladesh) and Reynosa (Mexico). The first part deals with the everyday work of prostitutes in Bangkok in a brothel called the Fish Tank. The prostitutes sit in a brightly lit glass room and are chosen by clients by the number used to identify them. The second part concerns a vast brothel called the City of Joy in Faridpur, Bangladesh. There, 600 to 800 women work in a confined space. In one scene, a madame buying a prostitute from another madame haggles over the price of the girl.  The third part takes place in Reynosa, near the Texas border. There, it is expected, as in other Mexican cities, to designate the legal areas for prostitution as zonas de tolerancia (tolerance zones). The entrance to the Zona is secured with barriers and is constantly monitored by the police.

Let Them Eat Cake

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Director: Alexis Krasilovsky
2014 • 81 Min • USA

Six years in the making, filmed in a dozen countries, ‘Let Them Eat Cake‘ is a poetic film essay that runs the full range from the pleasures and perils of overeating to the tragedies of world hunger.

Let Them Eat Cake is not your typical documentary.  It is a poetic essay that takes you through twelve countries, exploring the contrast between pastry making and consumption in various parts of the world.  While in some parts of the world, those who farm the ingredients for pastries can’t even afford them, in Paris, Tokyo, and Los Angeles, lavish pastries adorn the shelves of pastry shops along the streets.  Written and directed by award-winning director Alexis Krasilovsky, Let Them Eat Cake addresses the planetary emergency of too little food while seducing the viewer with the lavish traditions and beauty of pastry and cake-making that call us back to our childhood roots.

ManIslam – Islam and Masculinity

ManIslam - Islam and Masculinity

Director: Nefise Özkal Lorentzen
2014 • 58 Min • Norway

ManIslam – Islam and Masculinity‘ is a voyage into understanding the masculinities of Islam. Why does a man in Kuwait inspired by the 99 names of Allah and the Quranic stories create comics about superheroes called the 99? Why does a man in Bangladesh travel from one village to another and teach the community how to play a board game? Why does a man in Indonesia encourage other men to wear mini shirts in a demonstration? They all have the same target. They will change the dark side of the masculinities in their cultures by playing games.

Years of Living Dangerously

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Directors:  Joel Bach and David Gelber
2014 • 58 Min/episode • USA

Years of Living Dangerously is a documentary in 9 episodes about worldwide climate change and global warming. Bangladesh was extensively covered in episode 8 (A Dangerous Future) and episode 9 (Moving a Mountain). From the damage wrought by Hurricane Sandy to the upheaval caused by drought in the Middle East, this groundbreaking documentary event series provides first-hand reports on those affected by and seeking solutions to climate change.

In episode 8, Michael C. Hall travels to Bangladesh to see how climate change will impact workers and the poor in developing countries in the coming decades, when a projected 150 million people will be forced to leave their homes to escape sea level rise and increased drought, insect-borne disease, and flooding. In episode 9, Hall concludes his journey to Bangladesh, where rising seas are expected to submerge 17% of the country.

Don’t Tell My Mother

Don't Tell My Mother That I Am in...Dhaka_Bangladesh

2008 • 58 Min • USA and France
Producer: Diego Buñuel

Don’t Tell My Mother is a television program hosted by Diego Buñuel and shown on the National Geographic Adventure channel. In this documentary’s episode of season 2, Dhaka was presented as a destination. Dhaka is one of the fastest-growing cities in the world. Amidst the busy streets, energetic creativity bubbles up in the most unlikely places. Diego begins his adventure in Dhaka, where the term urban jungle is given new meaning. In this area, Macaque monkeys have taken control.

Toughest Place To Be A…

Toughest Place To Be A ... Ferryman on Buriganga River

Producer: Simon Davies
2012 • 58 Min • UK

Toughest Place To Be A… is a BBC Two television documentary that offered various working or retired professionals in the United Kingdom a different and more challenging working environment in the same profession they worked in.

Bangladesh was presented in Series 3, episode 2.  57-year-old Colin Window, the bridge officer of the Woolwich Ferry, travels to Dhaka, Bangladesh, to train and work as a ferryman on the Buriganga River. Hosted by 70-year-old Muhammed Loteef in one of the city’s slums, Colin is introduced to his new vessel, a small wooden rowboat known as a Sampan. In temperatures of up to 40 degrees, Sampan operators row passengers and goods across the quarter-mile stretch of river every day, dodging the huge barges and passenger ships that dominate the Buriganga. As Mr Loteef shows Colin how to master the sampan, he meets the other people who live and work on the river and have seen it transformed by sewage, rubbish, and industrial waste. Once the lifeblood of a traditional fishing community, the Buriganga is now officially a dead river.

However, the changes to Buriganga are just a glimpse of the transformations disrupting life in Bangladesh. Every day, some 2000 people leave their villages and travel to Dhaka, desperate for work, as traditional professions such as farming are threatened by climate change. Yet even in Dhaka, over a quarter of a million children live rough on the city streets.

After ten training days, Colin faces his final challenge: operating the Sampan alone during rush hour, taking passengers, and dodging huge ships.

Ma, Mati, Manush | মা, মাটি, মানুষ

Ma, Mati, Manush  |  মা, মাটি, মানুষ

Introducing Bangladesh to New Generation of Bangladeshi Americans. The event is free and all are welcome.

Program:

Photography of Liberation War
From 1:00 pm – 6:00 pm

Stall (food, cloth etc)
From 12:00 noon – 6:00 pm

Main Event
Patriotic music and dance
From 6:30 pm – 8:30 pm

Venue

IS 230
73-10, 34 Ave., Jackson Heights, NY 11372

Contacts:

Jibon Biswas, 917-693-5021
Sabina Hai Urbi, 646-265-5522

Organized by Udichi School of Performing Arts, New York

10th Anniversary of Sur-Chondo Shilpi Goshthy

Cultural Program and Certificate Giving Ceremony in observance of 10th Anniversary of Sur-Chondo Shilpi Goshthy – A Bangladeshi cultural group.

All are welcome to attend. The event is free.

Program will start at 7 pm sharp.

Venue:

PS 69, 37 Avenue and 77 Street, Jackson Heights, NY

Contacts

Md. Emdadul Haq, 646-750-1272
Nadim Ahmed, 347-685-5947
Motaleb Biswas, 718-457-3313
Khairul Hossain, 718-938-6249
M. A. Rahman, 917-912-7654

 

Documentary Films on Bangladesh

Documentary Films on Bangladesh – Part 4

Documentary Films on Bangladesh by non-Bangladeshi Film Makers

A list of documentary films on Bangladesh previously published here in three parts. They can be found here: Part 1, Part 2 and Part 3. This is the fourth installment. The list focuses on Non-Bangladeshi or Non-resident Bangladeshi film makers. The principal focus is to compile a list of documentary films on Bangladesh  – it is not a review or not a critic. This list is not complete, therefore, as they come to our attention we will write on them. The list here is in random order.

Nine Months to Freedom

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Director: S. Sukhdev
1972 • 72 Min • India

The film showing at length the war of East Pakistan with West Pakistan which led to the formation of an independent state of Bangladesh. India had played a very crucial role in this war in supporting the new state of Bangladesh. This film shows the impact of the war nine months. Sukhdev’s documentary is a partisan chronicle of the history of Pakistan to the point where Bangladesh, led by Sheikh Mujibur Rahman, demanded its freedom. Then it narrates the events after 25 March 1971, when Yahya Khan sent in the raping and rampaging Pakistani army, the heroic struggle of Bangladesh’s Mukti Bahini and finally the Indian Army’s defeat of Pakistan and the liberation of Bangladesh. The highlights of the film are its refutation of a clip from Pakistan TV with a strong voice-over, and the interview with an enraged Andre Malraux saying he wants to pick up a rifle and join the war against Yahya Khan’s army. Large parts of the story are told using a montage of stills, including newspaper headlines. In addition to footage from BBC TV and Pakistan TV, the film uses sequences of the massacre in Bangladesh (including the opening shot of a dog ripping apart a human corpse).

The Most Fearless

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Director: Heather Kessinger
2014 • 77 Min • USA

Teenage Nasima struggles to achieve her destiny as a world class competitive surfer in conservative Bangladesh where women don’t even swim in public. The Most Fearless is a dynamic and universally accessible true story. A documentary film about youth, hope, and surfing; full of compelling characters, set in an exotic location, and rich with contemporary global cultural relevance.

The Most Fearless IMDB Link

Shipwreck

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Director: Javier Gomez Serrano
2010 • 60 Min • Spain

Shipwreck is the story of Johor and Salam, men that work at the ship yards breaking vessels in Chittagong, a coastal province of Bangladesh. Bengali men struggling to raise their families against a backdrop of labor uncertainty, health hazards unknown to us, and salaries that make them the most competitive labor force in the world.

Johor is a cutter, a crafted worker that slices down the ships day and night. He sits at the top of the job positions in the yard. Salam is older but strong, he is also a leader within the collective house he lives at. The two of them represent the whole of the man power assembled in the yards. This is their story. Shipwreck is the battleground where barehanded men dismantle these gigantic ships. Their work is considered a great asset to the country’s economy taking into account the high price of steel in the world market. For them workers, is a good way to ensure their children’s future and they believe, in time, their working conditions will only improve. Shipwreck is a modern version of David against Goliath. Where the real giant David must bring down is a system oblivious to the human beings which it is supposed to serve, represented in this film by the hopeless enormous carcasses wrecked at a soiled beach. An industry breaking down more than 500 large ships a year that is unlikely to stop while there are ships to be broken, unpaid and unprepared workers eager to break them, and large amounts of money to be made amidst the hypocrisy of the western world.

Heart to Head

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Director: Gem Munro
2013 • 123 Min • Canada

Education is the most powerful weapon in fighting what Gandhi called the worst form of violence – poverty. This documentary film takes a close look at how Amarok Society has empowered some of the poorest, most oppressed mothers in the world to lead that fight. Rather than teach children, Amarok Society teaches wholly uneducated Muslim mothers in the slums of the world’s worst city to be neighborhood teachers – achieving what many said would be impossible. ‘Heart to Head’ reveals a rarely-seen world, providing an extraordinary view into these terrible slums and the lives within them as it follows Amarok Society’s quest to open a new school, and traces the journey of women who reshape their lives and their neighborhoods through education.

Flip The Coin – A Tower Of Promises

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Director: Tom Heinemann
2008 • 57 Min • Sweden/Denmark

The world have never been bigger. In seconds we can connect. From Scandinavia to Bangladesh.

Globalization can create economic growth even in the poorest countries of the world. Good for some but not for all. The gap between the rich and the poor has never been bigger: 980 million people are starving every day, Just 1000 people own on average more than 4 billion Dollars, 850 million people suffers from chronic malnutrition. Who are the winners and who are the losers?

This documentary shows how Ericsson and Telenor for more than a decade have neglected to live up to their own Code Of Conduct. Fatal accidents, child labor, hazardous working conditions and environmental disasters are everyday occurrences in their factories in Bangladesh. Thousands of poor workers, work for subcontractors to Ericsson and Telenor (Two of the largest telecommunication companies in the world). These multinational companies guarantees to the public and their shareholders, that the employees and suppliers have to live up to the most basic human rights and environmental standards. “A Tower Of Promises” documents how these guarantees are nothing more than empty words.

Sixteen Decisions

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Director: Gayle Ferraro
2000 • 60 Min • USA

Sixteen Decisions is a documentary film directed and produced by Gayle Ferraro, exploring the impact of the Grameen Bank on impoverished women in Bangladesh. The bank provides micro loans of about $60 each to the poor, as well as promoting a social charter that gave the film its title. The film was Gayle Ferraro’s first, begun in 1997 and completed in 2000. It has been shown at multiple film festivals, including the 2001 New York International Independent Film and Video Festival and 2002 Women With Vision Film Festival. It won the Bronze Award for Women’s Issues at the Houston Worldfest, and was broadcast by PBS in 2003.

Buy this doc.

Fish Unwrapped

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Director: Alex Thomson
2011 • 45 Min • UK

Channel 4 News presenter Alex Thomson unwraps one of the nation’s favorite dishes. Through DNA testing he discovers the fish in fish and chips may not be quite as advertised and exposes how one major supermarket is misleading consumers about the sustainability of the cod it sells.

The apparent health benefits of fish have driven demand amongst consumers and made it a lucrative multi-billion pound industry in the UK. But Thomson reveals the chemical additives used in some fish products. He also uncovers that packaged fish on sale in the chilled section of the supermarket may have been frozen for nine months before it’s defrosted and sold to consumers – some of whom assume this is fresh.

Dispatches goes undercover to investigate the prawn industry in Bangladesh, which supplies Britain with several thousand tones of prawns each year, and finds a dangerously unregulated industry. Secret filming reveals serious hygiene issues and the use of a widely banned pesticide to combat disease in prawn ponds. The report also exposes how prawns are injected with a dirty bulking liquid to increase weight – and profit.

Hoolock Gibbons – Grasping the Last Branch

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Director:  Elliott Haimoff
2009 • 50 Min • USA

The Hoolock Gibbons of Bangladesh have been brought to the brink of extinction by the relentless destruction of their forested habitats throughout the country, even in the most highly protected forest reserves. This species used to number in the tens of thousands, but are now down to the last 200 or so.

 

Swamp Tigers

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Director: Mike Herd
2001 • 50 Min • UK

Entangled, mangrove forest on the Bay of Bengal is the kingdom of a creature rarely seen by humans. One of the most efficient predators on Earth, this animal is feared as a killer and a man-eater – the legendary swamp tiger. These tigers are so elusive that all attempts to track them in these impenetrable swamps ended in failure.

More than a decade ago, cameraman Mike Herd captured the swamp tiger on film for the first time. It was an extraordinary breakthrough, the first glimpse into the secret life of the least known tiger in the world – the swamp tiger of the Bangladeshi Sundarbans.

This first tiger footage was tantalizing and all-too-brief, but for Mike it was enough to stir a passion. He resolved to return and unravel the secrets of this mysterious creature. The Sundarbans are remote and dangerous, so Mike will need an armed guard day and night. Somewhere in those 6,000 square miles, 10,000 square kilometers, are a few hundred tigers, yet the only way to track them is on foot.

Four mighty rivers rise in the Himalayas and pass through Bangladesh, dividing into small streams and channels to pour into the sea in the Bay of Bengal. They form an intricate mangrove delta, a collection of sand banks and mud held together by entangled roots.

Flood waters carry human victims downstream; corpses are washed onto the muddy banks of the Sundarbans giving some tigers the taste for human flesh. Every year up to a hundred people are killed by tigers, yet for the poor there is no alternative. The fishermen spend months on-board their boats trying to avoid the bandits who steal their catch and their belongings.

On the muddy bank there is the first tell-tale trace of the tiger – a recent set of pugmarks leading deep into the forest. Then more evidence – huge claw marks on a tree. The air is thick with a pungent smell of tiger. Mike believes it must be a tigress.

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Documentary Films on Bangladesh – Part 3

Documentary Films on Bangladesh by non-Bangladeshi Film Makers

This is the third part on documentary films on Bangladesh. First part of documentary films on Bangladesh listed nine documentaries. Second part of documentary films on Bangladesh listed nine more docs. Nine more documentaries added to this list. The lists are  in random order.

Development in Bad Waters

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Director: Crelis Rammelt
2013 • 61 Min • Netherlands

In Bangladesh, millions of rural poor are currently drinking water that is contaminated with high levels of arsenic. Although the problem was described as the worst mass poisoning in history, little has been achieved to resolve it. Among the few projects that are being implemented, even fewer have managed to reach the poor and to implement water supplies and health support provisions that last. The Arsenic Mitigation and Research Foundation has implemented an integrated and participatory program that links research with project activities in a manner that reflects the priorities of local communities. More info about Development in Bad Waters here.

Le telephone portable de Halima

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Director: Olga Prud’homme
2007 • 52 Min • France

This story takes place in Bangladesh. We are in May 2000. I have come to follow the arrival of a cell phone in Halima’s life, a village woman. Halima got this cell phone thanks to a loan from the Grameen Bank, the “bank of the poor”. It is the first phone ever found in this village. It should benefit to Halima as well as to all the village people.

January 2007: back to Halima. Has the wager of professor Yunus, who in between has been rewarded with the Peace Nobel Prize, succeeded? Can a cell phone change a destiny? Can micro credit help the poor to jump above “poverty line”? What happened to Halima and to her cell phone?

Le telephone portable de Halima or Halima’s Cellphone is in Bangla with French Subtitle.

The Dust of His Feet

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Director: Janet Best
2010 • 62 Min • Canada

The film brings us into the world of two Bangladeshi folk musicians. Matal Rajjak Dewan, the ‘drunk poet’, is honored with a shrine after his death. His student, Abdul Hai Dewan, calls his teacher ‘my Allah’ and continues to sing his songs of tolerance, mysticism and love at all-night celebrations and debates.

Matal Rajjak Dewan was an eccentric poet and singer who intrigued me the first and only time I saw him perform. When I returned to Bangladesh a year and a half later he was dead and his grave was a kind of shrine. Surprised, I set out to find out more and talked to his family, fans and, most of all, to his ardent student, the charismatic singer, Abdul Hai Dewan. For Abdul Hai, Matal Rajjak is more than just a teacher. “Nobody likes my songs,” he says unless Matal mixes in my soul and sings.” But Matal Rajjak is a puzzling figure who is described in many ways, a man who gave away all his money to beggars but who also beat people.

Way Back Home

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Director: Supriyo Sen
2003 • 120 Mins • India

In this road-movie, the filmmaker follows his parents on their way ‘back home’ to Bangladesh. After the Partition of India in 1947, East Pakistan, (today’s Bangladesh) witnessed enormous atrocities. Rape, brutal killings and the separation of families, friends and neighbors literally happened overnight. After 50 years of living as ‘refugees’ in India, the filmmaker’s parents return to their home villages to see what remains of childhood memories. The journey is dangerous and challenging for those behind the camera as those in front of it. Filming takes place without the official permission of Bangladesh, which can provoke nasty reprisals. The urge to film his parents visiting home for what might be the last time in their lives though, was a great motivator. Emotional but not melodramatic, the film embodies the story of one family representing the faith of thousands of others in India, Bangladesh or Pakistan. Poetic in approach, with beautiful songs and a measured pace, this journey is one of the rare documentaries that played for weeks in cinemas in Kolkata, India.

The Bangladesh Story

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Director: Faris Kermani
1989 • 78 Min • UK

The Bangladesh Story, a three-part series, broadcast on Channel 4, tells the story of Bangladesh from its creation to military rule of 1990s.

Part 1 – Under Three Flags – Bengal was the heartland of British India, and in 1947 it became the east wing of Pakistan, after much violence. East Pakistanis felt they still suffered from domination by their west wing, and Pakistan’s first general election in 1970 confirmed this. A second Bengali bid for independence resulted in nationhood.

Part 2 – The Mujib Years – The East Bengali majority in the 1970 election caused a civil war which shocked the world. The superpowers stayed on the sidelines, but the intervention of the Indian army ensured the existence of Bangladesh. Mujibur Rahman took power, but lost popular support within three years, and a new period of government by the armed forces began.

Part 3 – Military Rules – 80% of the population has dropped below the poverty line, while rulers come and go, usually through violent coups. The last program in the series looks at some different people’s attempts to find solutions to their country’s problems.

Between the Tides

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Directors: Tyler Quintano & Nick Manning
2009 • 50 Min • USA

The sea level is rising at an alarming 3.14 mm per year in the Bay of Bengal due to climate change. An estimated 125 million people may be rendered homeless in India and Bangladesh by the end of this century. What are their options? How long do people have? Between the Tides is a feature-length documentary film that explores the human cost of climate change and those living on the front lines of sea level rise in the Ganges Delta.

The Micro Debt

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Director: Tom Heinemann
2011 • 57 Min • Denmark

Microcredit has been hailed as the #1 solution to eradicate poverty. In December 2007, the Danish independent journalist and film maker, Tom Heinemann met with a woman by the name of Jahanara – living in a slum-like house two hours drive outside the capital of Bangladesh, Dhaka. Shortly before she had sold her house to pay her weekly installment\’s. For months, she had been intimidated, harassed and abused by the members of her loan group and by the loan officers from the various Micro Finance Institutions, who had given her the loans. The meeting with Jahanara was only the first in a long string of interviews with poor people in Bangladesh, India and in the state of Oaxaca in Mexico. The Microcredit loan-takers told the same story over and over again: Most of them had numerous loans in various NGO’s and Micro Finance Institutions – and many must take new loans to cover the old ones. They paid annual interest rates ranging from 30-200%, and they are under extreme social pressure from the other members of their groups.

Strong Bodies Fight

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Director:  William Donaruma
2011 • 65 Min • USA

“Strong bodies fight, that weak bodies may be nourished.” This is the motto of the Notre Dame Boxing Team, which annually hosts an intramural charity tournament called “The Bengal Bouts” to support the Holy Cross development efforts in the poverty-stricken country of Bangladesh. Founded by legendary football coach Knute Rockne in 1931 and perpetuated by 80 years of blood, sweat, and tears, the Bengal Bouts represent a sacred tradition of dedicated students lacing up their gloves in a fight much larger than the ring in which they box.

In May 2008, a group of 5 student boxers embarked on a journey across the world to witness the Bangladesh missions. What they encountered was not what they had anticipated. Where they had expected to find weakness, they found strength; where they thought they would find despair, they found great resolve. They learned that the Bangladeshi people were not helpless victims to be aided but change-agents to be empowered. From the claustrophobic slums of Dhaka city to the remote tribal villages of Bangladesh, these students witnessed a world of poverty seldom seen in films or media – a world of hope.

Now 80 years in the making, Strong Bodies Fight is the unique and inspirational story of three groups of people – the Notre Dame boxers, the Holy Cross Missionaries, and the people of Bangladesh – reaching out across the globe to join forces as one Team in the FIGHT against poverty.

The Akram Tree

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Directors: Francesco Cabras & Alberto Molinari
2011 • 81 Min • Italy

The Akram Tree is a journey through the personal and professional world of the British-Bangladeshi choreographer and dancer Akram Khan. My intelligence is in my body says Akram himself, a body built by acute observations of the reality, legends, and unceasing work here well represented by Gnosis, a pièce realized in collaboration with seven artists expressly discovered in different parts of the world. These traditions and experimentations from India, Japan, Pakistan, England, Egypt, Iraq and Bangladesh collaborate together to create a work between classic Indian Kathak and contemporary dance. The film portrays the story of this peculiar human and artistic adventure often transcending the narration for the sake of a more visionary look influenced by the location where the documentary has been shot: the futuristic and conflictive city of Abu Dhabi with its desertic and metaphysical surroundings.

 

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Documentary Films on Bangladesh – Part 2

Documentary Films on Bangladesh by non-Bangladeshi Film Makers

So here are another list of few more documentary films on Bangladesh. First part of documentary films on Bangladesh listed nine docs. In this part, nine more are included. The subject matter of these docs are microcredit, safe work environment, water contamination, social life, natural world, etc.

Again, the documentary films on Bangladesh here are not a review, just descriptions and are in random order.

Clothes To Die For

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Director:  Zara Hayes
2014 • 59 Min • UK

In April 2013, 18-year-old Shirin became one of thousands of people trapped inside the Rana Plaza building when it collapsed in the worst industrial disaster in the 21st century. In this moving documentary for BBC Two’s This World, Shirin and some of the other survivors tell their remarkable story of survival and escape. Many were rescued by ordinary local people who risked their own lives crawling into the rubble to save them. But Clothes To Die For also reveals the incredible growth of the Bangladeshi garment industry and the greed and high level corruption that led to the Rana Plaza tragedy. This tiny country has become the second largest producer of clothes in the world after China, transforming the country and providing employment for millions of people, most of them young women. As the personal stories of survivors reveal, in Bangladesh even a wage as low as £1.50 a day can be completely life-changing and many don’t want that opportunity taken away. Producing goods for several British and European high street stores, the tragedy at the Rana Plaza sent shock waves around the world about the safety of the Bangladesh garment industry. As one local factory owner said ‘At the end of the day if the retailers want more compliant factories they have to pay us more. Get the retailers together and make sure they pay us five cents more. Not even ten, we don’t even want ten cents, we want five, we’re happy with five cents on each garment’.

Bonsai People

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Director: Holly Mosher
2011 • 56 Min • USA | aka. বনসাই মানুষ

Bonsai People: The Vision of Muhammad Yunus is aptly titled. Muhammad Yunus likens poor people to the artificially stunted bonsai tree, “where nothing is wrong with their seed; society never allowed them to grow as tall as everybody else.” His vision to remedy poverty and help poor people overcome their situations led to his creation of the Grameen Bank. This innovative financial institution, which furnishes microcredit loans to poor women and demands creative requirements for eligibility (such as learning about hygiene), has changed aid in the developing world in the last few decades.

From Yunus’ initial personal loan of twenty-seven dollars given to forty-two people, microcredit has become global, and has affected over a hundred million families. Yunus, a Bangladeshi economist, received the Nobel Peace Prize for this work, and has since partnered with businesses in his attempts to do “social good.”

The video focuses on the life of poor people in rural Bangladesh, traces the steps that are taken to acquire a micro-loan, and interviews several recipients of loans in the past, assessing the benefits these specific village women have derived from the loans. The footage of the Bangladesh countryside is beautifully shot; the facts about poverty, health, malnutrition, and the fragility of life in much of the world are well placed throughout the video; and the interviews with the participants are moving.

Signature of Change, the Grameen Bank in Bangladesh

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Director: Mark Aardenburg
1996 • 46 Min • Netherlands

Bangladesh with its 120 million people is one of the most densely populated countries. It is found in one of the world’s biggest river deltas. Most of the inhabitants, who are mainly Islamic, live in the beautiful countryside. Although very fertile, overpopulation and frequent natural disasters make life a continuing struggle; 85% live below the poverty line. The Bengali professor Muhammad Yunus cares about their fate. In 1983 he founded the Grameen Bank, which lends money to the poor and landless only. Today the Bank works in 35.000 villages and has more than 2 million borrowers, 94% of them are women. During the documentary Professor Yunus tells about the founding, development and future of the Bank. He seems like an impossible mix of socialist and capitalist ideals; a harmony of contradiction. His ambition is to create a poverty free world, for which he indeed set the first steps.

Bridging Two Worlds

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Director: Mark Verkerk
2005 • 56 Min • Netherlands

In a world in which the rift between rich and poor has never been greater, comes a timely story offering hope. This inspirational film charts the life of Motalib Weijters, a remarkable man at home in two contrasting worlds: Bangladesh and the Netherlands. At just seven years of age, he was plucked from a Dhaka street and taken to the Netherlands. Seventeen years later, Motalib goes back in search of his roots and family. There he begins a process that over ten years has ended up transforming a whole community. From street child to village “father”, Motalib shows that even in the face of massive global problems, individuals can make a difference.

Spoken languages and subtitling of Bridging Two Worlds are in Dutch and English.

When The World Sinks

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Director:  Yorgos Avgeropoulos
2009-2010 • 52 Min • Greece

On 25th May 2009, Cyclone Aila devastated southern Bangladesh, leaving an estimated 8,000 dead and over 1 million homeless. The IPCC claims that by 2050 1 in 7 Bangladeshis will be a climate migrant, forced from their homes due to ever-advancing sea levels, and the saline contamination and unemployment that inevitably ensue. With their land under water and their crops destroyed, many southern Bangladeshis have been forced to abandon farming for fishing, an industry that can only employ a fraction of the people who once worked on the now-vanished rice fields. As one former farmer explains, ‘My conscience tells me to leave, but where else can I go? It’s like a prison here.’

More infomation about Bangladesh – When The World Sinks.

Man-eating Tigers of the Sundarbans

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Director: Ingrid Kvale
2009 • 48 Min • UK

Tiger experts in Bangladesh have a problem: how can they encourage local people to protect the beautiful and endangered Bengal tiger when these animals have developed a taste for human flesh?

The Sundarbans forest is one of the biggest tracts of mangrove forest left in the world. It is rich in wildlife and provides important forest resources for communities living around its edge. But up to 50 forest workers are killed by tigers each year and now the boldest animals are sneaking into villages at night.

This gripping film reveals the tension and heartache of living so close to a killer cat and follows the bold attempt by one village to teach street dogs to scare away the rogue tiger on their doorstep.

The Concert for Bangladesh

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Director: Saul Swimmer
1972 • 103 Min • USA

The first benefit rock concert when major musicians performed to raise humanitarian relief funds for the refugees of Bangladesh of 1971 war.

Ex-Beatle George Harrison organized this spectacular concert on August 1, 1971 at New York’s Madison Square Garden to help and aid the people from Bangladesh with all the money raised destined to that cause. Along with Harrison the concert features Eric Clapton, Ringo Starr, Billy Preston, Leon Rusell, Klaus Voormann and an Indian music section by Ravi Shankar, Ali Akbar Khan  and a set by the legendary Bob Dylan. The concerts raised close to US$250,000 for Bangladesh relief, which was administered by UNICEF. The event was the first-ever benefit concert of such a magnitude.

La boda de Mawla

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Director:  Zoltan Enevold
2009 • 52 Min • Spain | aka The Wedding of Mawla

Mawla is from Bangladesh and lives in Madrid. He has a job and a lot of friends but his dream is to have a family. After seven years he decides to go back to his country for the first time in order to find a bride and get married. La boda de Mawla was awarded the best medium length documentary at the Alcances Film Festival in Spain and was got honored mention at IV ACE Awards in Spain in 2010.

 

The Devil’s Water

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Director: Amirul Arham Sheikh
2006 • 52 Min • France | aka L’eau du diable

Every day 75 million people in Bangladesh and West Bengal, India consume water contaminated with toxic levels of arsenic. The problem has been ongoing since the late 1970s, when millions of tube wells were installed, throughout the region – unintentionally tapping arsenic tainted groundwater.

In what has been called the worst mass poisoning in human history, the World Health Organization estimates the extent of the human toll now exceeds that of both the Bhopal and Chernobyl disasters. Yet few are aware of the tragedy. Arsenic kills slowly, and its victims are poor, uneducated, and easily dismissed. The tube wells provide what appears to be clean, clear water; yet it is tainted with a tasteless and odorless poison. Millions continue to suffer in silence, slowly dying from cancer and other complications.

The Devil’s Water tells the story of three young women whose lives have been adversely affected by arsenic poisoning. Asma and Nazma are two sisters who have lost their mother to arsenic poisoning, and both suffer serious complications from arsenic themselves. Rekha is a young mother who has been rejected by her husband because of her illness, and is struggling to raise her son. The film captures the personal accounts of their tragedy and loss, set against the backdrop of scientists who examine the cause and effect of the arsenic contamination and attempt to discover a solution.

The Devil’s Water, is a film about what happens when water- the most precious of natural resources – turns deadly. The film is intended to draw world-wide attention to the humanitarian and environmental crisis that arsenic water poisoning poses to both Bangladesh and other afflicted countries around the world.

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Documentary Films on Bangladesh

Documentary Films on Bangladesh by some non-Bangladeshi Film Makers

Documentary films on Bangladesh by Bangladeshi film-makers are very scanty – it is almost a non-existence genre in Bangladesh. Most Bangladeshis like films that are dramatic, action-packed, emotional, hypnotic, and non-reflective. Therefore, fact-based, non-fictional documentary film making has no place there. Not in theaters, not on TVs. However, recently, there is a subtle movement among some young Bangladeshis to focus on this genre of film making.

Indeed, there are tons of issues to make documentary films on Bangladesh – Tons. Though it was not easy, over the years many non-Bangladeshis tried to document various issues affecting Bangladesh in film. Issues like environmental pollution, climate change, women’s right, working condition, prostitution, garments industry, labor rights, education, corruption, etc.

Below are a partial list of documentary films on Bangladesh made by non-Bangladeshis (and some are of Bangladeshi origin). Some are feature-length, some are shorts, some are old, some new. This list is certainly not complete, therefore, more writing this issue may follow! The list here is in random order.

These documentary films on Bangladesh are not reviews, just descriptions.

Iron Crows

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Director: Bong-Nam Park
2009 • 93 Mins • South Korea • In Bengali with English Subtitles

This is a documentary about ship-breaking industry in Bangladesh. The world center for ship-breaking is located in the port city of Chittagong in Bangladesh — perhaps the poorest nation on earth — is home to the ship-breaking industry. Here huge megaton behemoths that once sailed the seas are sent to be broken apart by men and boys (some as young as 12, often wearing flip flops) who earn $2 a day, from which they send money home to their families. They wrestle with thousands of tons of iron and asbestos, wielding blow-torches, hammers and crowbars. Here is where half of the world’s retired vessels are dismantled by 20,000 people who risk their lives to eke out the barest living. Iron Crows is a remarkably beautiful film, in this case, not just for its superb cinematography, but also for its indelible insight into how some of the most exploited people in the world retain their courage, decency and fortitude.

“…Perhaps the most important achievement of this powerful film is the courage, dignity and humility of our heroes trapped in a seemingly endless cycle of crushing poverty. This film is a tour de force!” – IDFA 2009 Jury’s comment

Best mid-length doc, IDFA, 2009

Bad Weather

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Director: Giovanni Giommi
2011 • 82 Min • England, Germany

Banishanta Island, a tiny sliver of land 100 meters long and 10 meters wide in the Bay of Bengal, south Bangladesh, is notable for two reasons: it is on the frontline of climate change, and its population is made up primarily of a community of sex workers. With the rising river, soil erosion, and frequent cyclones gradually destroying what is left of the island, Razia, Khadija, and Shefali, three of the last 65 women left living there, are in a battle for their homes, the future of their families, and even their quest for true love.

Bad Weather by Giovanni Giommi won The Doc/IT Professional Award 2012, screened at festivals worldwide.  It was also got Margaret Mead Filmmaker Award Special Mentions.

Hazaribagh: Toxic Leather

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Directors: Eric de la Varène and Elise Darblay
2013 • 52 Min • France

On the outskirts of Dhaka lies a giant slum of tanneries and over 500,000 people who work in them. Every year this living hell floods the European market with cheap leather. The workers here slave away at archaic machinery in absolute squalor, turning 14 million skins into leather. Toxic products used on the leather burn their skin, cause cancer and kill most before fifty. This film delivers a devastating insight into one of the most terrible places on Earth.

Working in a Hazaribagh tannery however is not just an assault on the senses. Every day, the workers in the busy factories are exposed to corrosive and explosive chemicals that were banned from much of the world 20 years ago. Their bodies carry the stains of this continuous onslaught. Hands and feet are malformed, and up to 90% of workers develop an illness related to their work. In her dispensary, a doctor explains her experiences: “Women working in tanneries are often frail. They suffer from vaginal infections, joint pain, fever and coughing. The men are also debilitated, suffering from heart problems and gastritis.”

However, there is no respite from the owners of the factories. The uneducated workers receive no guidance on how to use the deadly chemicals, and receive no sick pay when they are taken ill. Away from work, the chemicals seep into the water of the rivers, polluting the lifeline that the whole city of Dhaka survives on. Even though the river is biologically dead, tannery owners refuse to give concern to the hazardous results of their actions: “Of course water containing chemicals is bad for the health. But if we worried about toxicity we’d stop working. Who is ready to do that?… it’s just the way it is”.

In Hazaribagh the people are fighting back, both on the streets and in the strong sense of community that they create. This film not only charts the experiences of the workers in the factories, but shows how they defend themselves from the horror of their lives. Ultimately however, it asks if we, the West, really cannot afford to pay a little more, if only to help the millions around the world who live in hellish conditions to feed our greed for ever cheaper products.

Rory Peck Awards: Sony Impact Award 2013

Every Good Marriage Begins With Tears

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Director: Simon Chambers
2006 • 62 Min • United Kingdom

Hushnara is a bride-to-be who has cold feet on the eve of her big day. Her sister, Shahanara, has already tied the knot, but she is far more Westernised than her Islamic village-boy husband from Bangladesh, and the marriage already looks shaky after only two weeks. Their father wants to see the girls settled, and their eldest sister urges them to fulfill their duty to the family. All the elements are in place for a crackling movie about reluctant brides and intractable elders. Only, Simon Chambers’s “Every Good Marriage Begins with Tears” is a documentary about real people and their unscripted attempts to balance their individual desires with social expectations. Shahanara and Hushnara are the children of Bangladeshi immigrants from London. Chambers was as a social worker for 14 years, and the family trusted him enough to let him record their most private squabbles and confessions. Chambers followed the sisters and other family members in London and Bangladesh, and has come up with a highly personal and intimate film about different attitudes to love across cultures and generations, which is at turns hilarious and deeply sad.

My Cultural Divide

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Director: Faisal Lutchmedial
2006 • 75 Min • Canada

Filmmaker Faisal Lutchmedial goes beyond the activist stereotype as he takes a personal journey into his mother’s native country for the first time. A three-month visit to Bangladesh becomes a discovery of family and home that runs parallel with his attempt to tackle the complex issue of global trade. Starting from the opening scene My Cultural Divide questions the logic of the hardcore political activist, and wonders aloud whether ethical consuming actually does anything good for the workers behind the machines. Because of family connections Lutchmedial makes his way into some of the worst factories in Bangladesh, and talks frankly with the workers inside about their job and living conditions. Sometimes contradicting western activists, the labor leaders he speaks to soon make Lutchmedial question his own long-standing beliefs on child labor and personal responsibility. Accompanied by his ailing mother, Lutchmedial takes us on a very personal journey to bridge the gap between his heritage in Bangladesh and his life in Canada. He connects his politics with his humanity, and weaves together a story that is both thought-provoking and touching.

Eisenfresser

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Director: Shaheen Dill-Riaz
2007 • 85 Mins • Germany | a.k.a. Iron Eater

In his critically acclaimed documentary film Iron Eaters, filmmaker Shaheen Dill-Riaz follows poverty-stricken farmers who try to escape the annual famine that strikes their home in northern Bangladesh. They trade in their plows for a blowtorch and begin to work as ship-wreckers, risking their health and their lives for a pittance.

The seasonal famine in the remote parts of northern Bangladesh forces farmers Kholil and Gadu to leave their fields. Along with several of their relatives, they travel south to work as seasonal laborers in the infamous ship yards that line the beaches of Chittagong. Their new job is to dismantle the garbage disgorged by the Western World: huge oil tankers, vast container ships and any vessel that has sailed the seas for too long.

Without heavy machinery and no protective equipment, they gut the ships right on the beach where they are driven ashore. Razor-sharp pieces of metal, toxic chemicals and hazardous tools turn the job into a living hell. > Buy this doc.

Easy Like Water

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Director: Glenn Baker
2012 • 58 Min • USA, Denmark

As flood waters threaten, a visionary architect is building solar floating schools – and creating a blueprint for his country’s survival. But can ‘Bangladesh’s Noah’ keep his imperiled nation from drowning? By turns witty and heart-wrenching, ‘Easy Like Water‘ takes you on an off-the-grid journey that offers a refreshing new perspective on the resilience of the Global South.

Easy Like Water seeks to ignite and accelerate interest in “design for good” strategies for helping communities live with climate change in the world’s most-affected regions, such as Bangladesh, where the story unfolds. Learn more about each of the interconnected issues the film weaves together.

Scrap Vessel

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Director: Jason Byrne
2009 • 55 Mins • USA

Scrap Vessel documents the last trip of the Hari Funafuti (formerly the Bulk Promotor and Hupohai – which means ‘Amber Ocean’), a cargo ship on its way to be scrapped. With a languid atmosphere using the massive ship like a landscape, the film explores what is found inside from the Hupohai’s communist past, onwards through an unseen attack by pirates and onto a distant beach and glowing ironworks factory, until the ship becomes a phantom.

Background:  In 1973 the freighter ship, Bulk Promotor, is built by Norway to transport coal and iron ore throughout Northern Europe. In 1985 the ship is sold to mainland China. Renamed Hupohai, it is used to distribute coal along the Yangtze River. Thirty-two years into the ship’s life, now called the Hari Funafuti, we board the vessel in Singapore on its final journey to Bangladesh.

Filmmaker Jason Byrne boarded the ship with fellow cameraman Theron Patterson in Singapore. They documented the journey on 16mm film and video, exploring the huge vessel top to bottom, finding scraps of its past crew including photos and 16mm motion picture communist propaganda. Filming the ship’s destruction on the beach in Bangladesh, they continued with its pieces to the Ali Rolling Mill in Chittagong, where the scraps were melted down.

The ship is completely gone now, but various artifacts were saved by Byrne, including the blueprints, safety posters, some of the 16mm film footage, photos of the original crew, a diary kept by a crew member, and a cassette tape of the captain’s favorite music.

Water Wars

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Director: Jim Burroughs
2009 • 60 Min • USA

This timely documentary uncovers critical water issues facing humanity. It takes the viewer from the floods and droughts in Bangladesh, to dam building in India, water management in the Netherlands and the latest wake-up call in America: the Katrina disaster and the drought in the Southwest. Future wars will be fought over access to fresh water, unless we come together to face this global crisis. Without water there is no life.

The tagline of the documentary is ‘When Drought, Flood and Greed Collide’